Now six career GRAMMY nominations for “country music’s most reliable character witness” (The Washington Post)
Clark, whom The Plain Dealer's Chuck Yarborough calls "the best wordsmith in Nashville," landed on multiple critics' "best of" lists this year, including Rolling Stone's 25 Best Country & Americana Albums So Far and 45 Best Albums of 2016 So Far, TIME Magazine's Best Songs of 2016 So Far, NPR's Top 100 Songs of 2016 and Songs We Love, and American Songwriter's Top 50 Albums of 2016.
"I put my whole heart into Big Day in a Small Town, as did all of the co-writers, musicians, and producer Jay Joyce," shares Clark, "So for it to be so well-received not only by the fans and press, but now also by the GRAMMYs is a really sweet reward."
Celebrated for her keen depiction of small towns and their antiheroes, Clark's bold second album Big Day in a Small Town has been revered as "gritty and visceral" (Associated Press), "aggressive and big-grinned" (SPIN) and was described by SALON Magazine's Erik Nelson as "simultaneously harrowing, cynical, uplifting and just plain funny.”
"When you memorialize human lives with this level of care, you’re writing music that’s meant to last," read a review from The Washington Post's Chris Richards, "Like Clark’s protagonists, these songs want to survive. And they will."
The Jay-Joyce-produced album has garnered national praise by fans and critics alike, including Wall Street Journal heralding it an album that presents “country-song genius on the order that Loretta Lynn and Merle Haggard got us used to,” and Rolling Stone saying it’s “music tooled alternately for stadiums and songwriting circles, commercial and public radio, line-dance bars and coffee shops.”
Big Day in a Small Town is the "cousin" to Clark's critically-acclaimed debut album12 Stories which was featured on "Best of" lists from New York Magazine, NPR, Rolling Stone, The New Yorker, New York Post and The Boston Globe in 2013. That same year, Los Angeles Times called it “the country debut of the year."